She formed musically in her city, Rovigo, where in 1996 she obtained the diplomas of Piano and Acoustic Music. In 1997 she follows the Fortepiano Florentine Laboratory, restoration workshop with M° C. Clarke at the Accademia Bartolomeo Cristofori in Florence. In July 1998, in Germany, she attended the Advanced Course for piano technicians at the prestigious Seiler Institute. The following year she attends a high-level course for builders, tuners and harpsichord decorators organized by the Tuscany and Emilia Romagna Regions.Between 2003 and 2004 she follows the IV Fortepiano Laboratory, restoration workshop of Square Piano in Florence. In the same year, at the G. Bandini Constructors Laboratory in Imola, she followed a seminar on the construction of Neapolitan harpsichords held by M° Grant O' Brian. In 2007 during the VII Florentine laboratory of fortepiano she attended the restoration course held by M° C. Clarke "The magic of Pleyel". Parallel to professional growth, she begins a series of collaborations as a restorer for the most important Italian theaters, including the restoration and recovery of the pianos of the La Fenice theater in Venice with M° A. Montalbano. From 1999 to 2001 she works as a partner - builder of harpsichords with M° Franco Barucchieri. Between June and July 2006 she takes care of the restoration of the Steinway & Sons pianos of the Giuseppe Verdi Symphonic Orchestra Foundation in Milan. She has worked on some restorations with M° Ferdinando Granziera. From 2005 to 2017 she was technical manager, piano and fortepiano tuner of the Scuole Civiche Foundation - Milan International Academy of Music and their respective schools; Paolo Grassi and the Department of Jazz, whose staff boasts well-known masters such as M° Enrico Intra and M° Franco Cerri. In 2006/2007 she was Tuner / technician of the Teatro Sociale di Como. In 2006 she was technical manager of the Blutner of Villa Monastero (Varenna). In August 2008 she tuned for Maestro De Maria for the Asiago Festival. Between 2012/2013 you are tuner / technician of the Teatro Sociale di Rovigo. Since 2013 she collaborates with the Lardi Piano company in Switzerland. From 2014 to 2017 she was responsible for the instruments of the ancient music section at the Scuole Civiche Foundation of Milan. Since 2015 she is the maintenance of the ancient music instruments of the "Benedetto Marcello" Music Conservatory of Venice and for the Pollini Conservatory of Padua she builds a C. Zell German school harpsichord - two manuals and a fortepiano with an inscription Johann Andeas Stein, Augsburg 1773. Today she is the owner of "Cembali Frezzato & Di Mattia". She builds, restores and grants antique musical instruments: fortepianos, harpsichords, virginals and spinets.