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We

Our ambition is to construct these tools in a new way. A four-handed female experience. Personality our different but perfectly united. Building meets a predominant demand; give life to a work of art that has meaning, which tell us our time and controversies. In serial construction, we prefer a sophisticated, artisanal job, because each instrument has its uniqueness. The spruce used in our sound boards is seasoned at high altitude, carefully laid out on the ground, free to let its lymph and dry out. The Italian sound boards are in cypresses. Exquisite essences such as Padouk, Ebony Makassar, Rosewood, Bois de Rose, Walnut, Ebony, Bosso, used in our instruments are a signature of inimitable beauty.

Quality: an imperative to which we are obedient to give you your talent, the instrument you deserve.

About us

"The instruments themselves are in the top rank of reconstruction and one of Frezzato-Di Mattia harpsichords was completed only weeks before the 2015 recording session. Another was finished the previous year. Both are after instruments by Giovanni Battista Giusti who was working in Florence in the second half of the sixteenth century. I wonder if Handel played some of Giusti's keyboards? The other instrument, which features especially on CD 4, is a copy of a 1612 Ruckers and has a superb bass. Listen to the Partita in C minor to realise its gorgeous mellowness. There is also a double manual ‘harpsichord ravalement’. This has been an instrument (re)designed by the Ruckers family which has had its range extended to five octaves."

Gary Higginson

Fonte Music Web International

La Miseria Umana

La Miseria Umana - Cembali Frezzato & Di Mattia

Thirty-four stanzas of absolute and uniform lyrical tension, where you go, how long a Dantesque, to walk un'accidentata downward spiral, until you reach the hell of a shiny reflection, conscious and naked, the abyss of injury and fiction that is the human condition. Today, yesterday, as always.

SATINE

SATINE - Cembali Frezzato & Di Mattia

This anthology looks inside the lyrical ego universe without any shame and hesitation, pouring on the sheet a complex and cerebral world where body and mind are one with the poetic word that is also destined to pointing out the boundaries .

THE SOUND OF OUR HARPSICHORD - BACH

THE SOUND OF OUR HARPSICHORD - BACH - Cembali Frezzato & Di Mattia

Carl Philipp Emanuel Bach Edition Brilliant Classics. The harpsichord used is a Frezzato & Di Mattia copy of J. Ruckers "grand revalement" Antwerp 1612 .

THE SOUND OF OUR HARPSICHORD -HANDEL

THE SOUND OF OUR HARPSICHORD -HANDEL - Cembali Frezzato & Di Mattia

Complete Harpsichord Music Edition Brilliant Classics - The instruments used are: A copy of J. Ruckers harpsichord Flemish two manuals and two cymbals U.K. Righteous Italian school.

INFORMATION AND QUOTES

meccanicatemperata@gmail.com