Home » Instruments

Instruments

German Harpsichord

German Harpsichord - Cembali Frezzato & Di Mattia

CEMBALO FREZZATO & DI MATTIA 2016

German school harpsichord with Christian Zell inscription 1728 Hamburg - 2 manuals. Extension FF - f3 (61 keys) - 8'8''4 '- Transmission 415 Hz / 440 Hz and Lute.

Keyboards are made in Ebony Makassar, variegated brown in color, particularly elegant and of great value. Chromates in essence of walnut-bearing bone. The sound board is made of spruce, aged ten years and naturally. The sound runs along high-speed wooden material tracks. Decorations on the chest and stand are enriched with cabinetry. The essence used on keyboards is ebony Makassar.

The lines along the sides and the discontinuous sections on the stand represent the ancestral desire for freedom from conditioning and closure; Of whom he is often imprisoned. They are open lines, without rules and compromises. Evolving harmony, which changes the way of thinking about "no" newspapers. The hanging points on the lid evoke a suspended, uncertain life: a man who tries to reason his time despite the hectic weariness of everyday life.

For us, a human being who feels the need to find in the heart, the resources to progress.

16/11/2017

The sound and the harmony of form

The sound and the harmony of form - Cembali Frezzato & Di Mattia

"There is a resemblance to inner aspirations and ideals, in our soul there is a cracking that, if it is touching, resonates like a precious jar reemerged from the depths of the earth. Must make the atmosphere in which a spectator is immersed is more engaging and visionary.These works prevent the soul from bowing and keep the tension alive as the key of a tuner holds the strings of an instrument. The future, who is only the daughter of his time, but will never become the mother of the future, is a sterile art. "

Derived from "The Spiritual in the Art of Wassily Kandinsky"

Our deepening of the early twentieth century evoked the pictorial expression of a great artist. The decorative element of this harpsicord, translates social tensions quite

16/11/2017

Two manual Flemish Harpsichor

Two manual Flemish Harpsichor - Cembali Frezzato & Di Mattia

Flemish harp with inscription J. Ruckers "grand revalement" Antwerp 1612 - 2 manuals. FF - f3 extension (61 keys) - 8'8''4 '- Transmission 415 Hz / 440 Hz and Lute.

Keyboards are made in box, ebony chromatic. The ivory-colored decoration The gold leaf frames. The sides are mirrored by geometries made with natural landscapes in a suggestive marble effect. The wrest plank and the base consist of Bois de Rose finishes.

Beauty is an objective fact.
Every work that is born of women is women.

16/11/2017

Harpsichord by Italian School

Harpsichord by Italian School - Cembali Frezzato & Di Mattia

Harmonious sound
Do emotional stunts
Insinuated emotions
In whoever hears you
Shocking secret trepidations
Of the time that mutes
Which matters the rest
If the rest is to hear

30/07/2017

The suplimazione defect

The suplimazione defect - Cembali Frezzato & Di Mattia

They emerge from the wood paintings that express forms without artifice. Forms that change over time, in the detail of nodes not hidden and visible construction details. The employment of the cypress choice in the sound board and the case has been laborious unknown, but returned to our listening rich sound, heat and long lasting color.

 

16/11/2017

THE SOUND OF OUR HARPSICHORD - BACH

THE SOUND OF OUR HARPSICHORD - BACH - Cembali Frezzato & Di Mattia

Carl Philipp Emanuel Bach Edition Brilliant Classics. The harpsichord used is a Frezzato & Di Mattia copy of J. Ruckers "grand revalement" Antwerp 1612 .

THE SOUND OF OUR HARPSICHORD -HANDEL

THE SOUND OF OUR HARPSICHORD -HANDEL - Cembali Frezzato & Di Mattia

Complete Harpsichord Music Edition Brilliant Classics - The instruments used are: A copy of J. Ruckers harpsichord Flemish two manuals and two cymbals U.K. Righteous Italian school.

INFORMATION AND QUOTES

meccanicatemperata@gmail.com